toni mcnaron's garden

Moment of Truth

It was an early and violent fall.  By mid-October, most leaves were down on lawns, in gutters, in the crooks of steps.  The night of the 22nd, a high wind blew and rain fell hard against my face and jacket.  I’d spent the evening at Karen’s apartment on Aldrich Avenue, just behind a garish SA station on Lake Street.  I was in love with Karen, though sharing my house with a woman finishing her Ph.D. in counseling psychology and drinking her weight in gin.  (I knew how much gin would equal a person’s weight because I’d been drinking my weight in bourbon for the past nineteen years.)  I knew I had to be alert to handle this newest personal crisis I was creating–I was deeply closeted and Karen was the most publicly out lesbian in the Twin Cities.

That fall was bitter in me as well as in the weather.  That woman living in my house was kept–by me.  I’d paid for things like a trip to Denver and the desert to celebrate her passing her exams, and a Cordon Bleu crèpe pan so she could fix her friends elegant suppers while I was at the University working on yet another mind-numbing committee.  I’d let her bring an English sheep dog into my house when I’m a cat person.   That creature was locked into the basement every morning and was somehow supposed to live a decent life without walks, attention, love.  Full of pity or projection, I tried to teach him to piss and shit outside.  I petted him while trying to keep him from chewing up my cats who kept eyeing me in startled pain every time the dog grew another two or three inches.  After all my carpets were stained and the basement had a permanent smell of “dog,” I said we’d have to get rid of the “puppy” who weighed 45 pounds and made my floor shake when he ran from kitchen to front porch.

The summer before I fell in love with Karen, my kept woman had sat in my living room drinking gin as she said calmly “I miss the excitement of our first six months because now I feel like I know all there is to know about you and we’re not discovering anything new.”  I tried to suggest that I felt we’d finished with vital statistics and history so now we might get to know each other from the inside.  My words didn’t register and I jumped off a fairly long wagon I’d been on.  Under my drunken rage was a depth of hurt that overwhelmed me years later in therapy when I realized that I’m a fairly complex person, not reducable to a six-month discovery period.  But that summer, after she slung those words at me, I tried to dig up tidbits about my past that might hold her interest when what I really longed to do was share what it felt like inside my skin–hung over much of the time, lonely, and scared silly of being found out as almost anything I really was–a Southerner, a lesbian, a drunk, a powerful woman, a writer, a passionate human being with plans for a better world.

So there I was, late at night on October 22, 1974, driving my car home from Karen’s.  The wind was throwing up wet, dead leaves all over the street in front of my windshield.  I slowed down to watch those leaves rise on the updraft only to sink back into a sodden heap to be driven over by me or somebody else on their way to somewhere.  I decided to write a poem when I got home.  I decided not to sleep in the bed with the woman who found me boring after only half a year. I decided to write her a note asking her to vacate the premises by Thanksgiving.  I decided to read a book I’d had sitting on a shelf for at least a year (Sappho Was A Right-on Woman by Sidney Abbott and Barbara Love).  I decided not to drink while I read that book.  I did every one of those things and I’ve never been quite the same since.

 

Palm Sunday, II

After the first reading from the Hebrew Bible, the congregation at my church always listens and responds to a Psalm.  On Palm Sunday, it is always Psalm 22, all about how badly other people are treating Jesus.  It’s a powerful account that always moves me because we have a special male cantor who really helps us feel Jesus’ pain.  That person has always been white, but this Sunday, the young black man in our choir (who is also in training to be a choir director and has a beautiful voice) stepped up into the pulpit to be the cantor. 

Here’s some of what he sang in a heavily minor key:  “All who see me deride me, they curl their lips, they toss their heads…  Many dogs have surrounded me, a wicked band besets me.  They tear holes in my hands and feet and lay me in the dust of death.  I can count all my bones…. They divide my clothes among them.  They cast lots for my robe.”  The refrain which we all sing at the end of each of the canted verses is “My God, my God, why have you abandoned me.”

As the black man with the powerful and poignant voice delivered this psalm, I thought I might not be able to stay in my pew because the words from so very long ago suddenly felt like what current black men, often innocent themselves just as Jesus is, might say before they are scorned, assaulted, and quite possibly even killed.  I flashed to Ta Nahisi Coates’ memoir for his and his wife’s son, Between the World and Me, in which he keeps emphasizing the centrality of the human body for black people who realize they may lose theirs before the end of any day or week.  Suddenly time and place fell away and I understood more acutely than at any point in my long life just how frightened and sad and betrayed Jesus must have felt at this moment in his journey.

Who knows what prompted our marvelous choir director to tap the black man to give us this painful picture, but what her doing so has reinforced for me is this:  It is not just WHAT is being said/sung/acted/drawn/danced/proclaimed/advertised/argued in court or legislative halls.   WHO performs art or politics or justice or anything else in any culture at any moment clearly matters in major ways. 

A Fall

A Fall

driving the New York Thruway
later than I mean to
I feel the sky quite near
                                          “twinkle, twinkle, little star…”
                                                                                         you fall
before my eyes
a long, two-second descent
burning out
in slow motion
                                          “how I wonder….”
you’re splendid
in your final journey
then lost to blackness
without violence or alarm

they used to say
the stars were held in place
by hidden pins, behind the ceiling of the sky
like sets of dress shirt studs
or a vast array of jeweled rings
piercing the ears of heaven

did someone pull your pin?

in any case
you’ve gone to where all fallen stars
sleep away the ages,
while I wonder if I ever fall so slowly–
with so much ease
and so much grace

Palm Sunday

On Palm Sunday, my church lasts longer than usual and includes a wide range of emotions.  It begins with large portions of the congregation’s going outside the building with their palms.  The choir joins them and, after a blessing by the priest, this assemblage enters the narthex, replicating Jesus’ entry into Jerusalem.  We sing–loudly–“All glory, laud, and honor/ to Thee redeemer king” as the procession winds its way around the perimeter of the church and parishioners find their seats.  So that’s the happy part.  The rest of the 90 minutes is spent pondering the sad journey Jesus undertook during the last week of his life.  What we sing is written in minor keys and what we say is painfully sad.  A cantor speaks to how Jesus is reviled:  dogs bark at him, people rend his garments and spit on him, he is offered vinegar that turns his stomach.  The refrain that we all sing is “My God, my God, why have you abandoned me?” 

Instead of a short Gospel reading followed by a homily, we hear the long story of that last week and I just weep at how alone this young man was and how betrayed he felt over and over.  When he retreats into the Garden of Gathsemane, he asks the apostles he’s brought with him to keep watch in case the police try to take him.  Twice he returns to the gate only to find these men sound asleep, so he asks them why they couldn’t stay awake just a little while to help him.  Then he tells them he fears betrayal within their midst and Peter boasts that it would never be he, even though Jesus has warned him that he will betray him three times before the cock who proclaims a new day crows.  Of course we then hear Peter sputter eagerly to three different citizens who say they’ve seen him with Jesus “Oh, no, it’s not I; I never met the man, I never was there.”  When the reader tells us the rooster is crowing, I feel like I may not be able to stay in my seat; this story is just too painful.  Finally, we hear about Pilate, who cannot act on what he knows is true–there is no evidence at all that Jesus is guilty of anything.  This part of the gospel reminds me pointedly of all the current politicians–of all stripes, sadly–who mimic this stance, saying they know one truth but then being unwilling to act on that knowledge.

Every year at this service, I feel the same thing:  We as a culture just keep doing what was done way back then in Jerusalem:  we create heroes/saviors who shine for a short while before we turn against them and disavow all knowledge of them.  In Jesus’ case, his community goes from throwing down carpets to line his path and waving triumphant palms before his donkey’s hooves to hammering nails into his hands and feet and leave him to die a slow and torturous death on a cross.  Amazingly enough, they do this in the tiny span of only six days.  So when we end this service by singing “What wondrous love is this, oh my soul, oh my soul,” I wonder indeed.

 

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